Mourad EL KHATIBI’s English translation of Latifa Halim’s “Naharan Two Days” has been published recently by the Moroccan publisher Slaiki Akhawayn.
Published first in Arabic by Fikr Publishing in Rabat, Morocco, in 2012, the novel Two Days by the Moroccan author Latifa Halim, who resides in Canada, expands through the figure of the woman, portrayed as a metaphor for beauty, tenderness, and refinement. Through this multifaceted female figure, intricate and creative narrative techniques and details emerge.
What stands out in this novel is its impressive storytelling technique. The narrative style oscillates between meticulous attention to small details and smooth transitions from one space or context to another, with the characters serving as both the origin and destination of the narrative.
Irony is another prominent technique in the novel, manifesting through stories told by women and endless dialogues between female characters who seek to transcend their social realities. They do so by crafting deep, and resounding laughter.
The third and perhaps most important feature is that Two Days is, quintessentially, a woman’s novel. The author masterfully captures the feminine world in all its complexity, its issues, dreams, struggles, sorrows, and joys. The novel flows gracefully, enabling a deep dive into the female psyche and capturing women’s emotions and reactions with sensitivity and nuance.
The women in the novel are not monolithic; rather, they are diverse. The female characters in Two Days come from various social and economic backgrounds, and they differ from one another in terms of education and intellectual capacity. These contrasts and contradictions are woven together through a tightly constructed narrative and a remarkable use of digression. Transitions from one world to another are smooth and never confusing, thanks to the novel’s elegant style.
In this narrative, the woman is depicted as cultured and passionately devoted to writing and reading, sometimes to the point of madness. One such example is Mona, who lives in Montreal, Canada. This intellectual woman is romantic by nature, and to her, nothing is more precious than love.
The novel positions itself as a passionate advocate for women, defending their identity, individuality, and creative potential. It portrays women as successful and innovative. The time of fear and invisibility is over. This brings to mind a particular historical moment when creative women had to publish under male pseudonyms in order to share their work. Notable examples include Charlotte Brontë, Emily Brontë, and George Eliot. The novel celebrates the strength of women and their ability to embody true creativity and weave the threads of beauty.
In addition to the creative domain, the novel powerfully evokes the realm of women’s rights, highlighting the ongoing struggle for equality with men and criticizing patriarchal dominance and outdated mentalities that still view women as secondary to men. In Two Days, the woman is portrayed as an activist capable of effecting meaningful change in political, legal, and labor spheres.
Finally, it is worth noting that the novel is rich in technical narrative elements, including its tightly constructed plot and the use of stream of consciousness, a technique that characterizes modernist writing, exemplified by the British author Virginia Woolf. The main narrative agents are women who construct their world with precision and cohesion, employing a refined and poetic language. In Two Days, women are symbols of creativity, fertility, order, resistance, irony, hope, and joy.
In short, Two Days is a testament to the power of storytelling to engage with reality, interpret it, and transcend it through a poetic and transparent language that remains intact, no matter how dramatic the events it narrates.
The translation of Two Days has been very challenging. The translator has used many translation strategies to solve some translation problems. He has also used footnotes to explain some words and terms and to give information about some historical figures and events, places, scholars, and some political leaders.
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